No, I fucked up this isn’t going to work. Let’s actually just *** and let’s write it in. So, we go to channel EQ, and then we can go to – and then we just need to automate that, so in comes-on on the last word and let’s do something with that different here. So, we just going to go to channel EQ this time and now we just need to automate so in comes in that last word. Of course, we’re going to have to automate this, so let’s do that now. I’m going to cut all the highs out and we’re also going to trim the lows to make sure it doesn’t get too much, and then we’re going to boost the sub frequencies quite aggressively around 60 Hz something like that and let’s taper this off and again make sure this is nice and steep. So, let’s just try doing it straight on this vocal and what we’re going to do is just add an EQ before it. This reverb is quite bright and it’s also quite noticeable, but by really shaping that reverb and making it really low pitched – and that’s why I call it sub-reverb, because we can try boosting the lows we can give a very different tonal characteristic. Now, I class this as something different, because it has quite a different tonal impact and different effects on the mix. So, now let’s move onto the next type of throw which is a sub-reverb throw. Reverb throw and it’s called a throw because we just throwing the vocal to a reverb for one word, and then it comes back out. That sounds like it comes in a little early, so let’s try moving that back a bit.Īnd it sounds a bit unnatural, so let’s turn it down a bit. So that’s the level that we had to add for this actual word, but we only want it on that last word so we can just reduce the wet to dry mix there and here, and now the reverb is only going to come in for that last word. It looks like we don’t have a bypass and instead let’s just use mix. In the Logic just hit A, then we’re going to go to Valhalla Room and we’re just going to automate the bypass, which we should have somewhere here.
So, what we need to do is go into automation. But of course we don’t want this on the whole verse or the next verse. It almost has like a rhythm to it.īut at the moment it’s a bit over the top, so let’s try reducing that mix.īecause it’s interacting with the delay throw that we’re going to come back to later that’s what’s giving it that rhythm. Let’s try something around 10 seconds, get into 10 seconds and let’s just play around with these other settings. It’s not on a buss and then a bit of pre-delay that’s fine. So, first we want to make sure get the mix right, because we don’t want this to be 100% wet. First we want something that’s going to be quite long to fill that space, but let’s see if we can make it a bit different too. Let’s just go for Valhalla Room and let’s try and create something really interesting. So, let’s start by just creating a reverb sound that we want and I’m just going to loop this section here and we can just do this on the actual channel itself. We could make it much more exciting and by using the last word of the vocal here we can manipulate that with some reverb to try and fill this space. So we already have a bit of a delay throw in there I’m going to come back to that later, but this could have a lot more going on in this space. There’s not much going on, so we can try and fill this space with some effects. It’s the space between the chorus and a verse. So, here in this chart we’ve got a bit of an empty part. So, let’s start with reverb throws and rather than explain what it is it’s easier just to show you.
So, here are the five reverb and delay techniques you’re going to learn in this video reverb throws, sub-reverb throws, delay throws, atmospheric reverb and reverse reverb. Rob here from a Musician on a Mission hope you’re having a great day.
#SIMPLE DELAY HAAS EFFECT HOW TO#
Today you’ll learn how to use five simple reverb and delay techniques to make your mixes more exciting, more fun, and more unique. Rob here from Musician on a Mission hope you’re having a great day.
#SIMPLE DELAY HAAS EFFECT DOWNLOAD#
So, keep watching and as ever don’t forget to download the free effects cheat sheet. Today you’ll learn how to use four simple reverb and delay techniques to make your mixes more exciting, more fun and more unique.īy using effects creatively and combining them with a little automation you can make mixing way more enjoyable and produce better results, and in fact I’d go as far to say that this is one of my favorite parts of mixing.
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